Well, this is interesting. I've never cared much for overtly 'Christian' films, which tend in my experience to be too long on didacticism and too short on artistry. But here's what Steven D. Greydanus has to say about 'The Case for Christ,' based on Lee Strobel’s best-selling conversion story:
The atheists and nonbelievers in The Case for Christ don’t have horns and tails, or even mustaches for twirling. They aren’t out to crush believers into dust or banish their beliefs from respectable society.[Hat tip to JM]
The believers aren’t persecuted, marginalized victims, but capable, respected professionals in fields ranging from medical science and health care to archaeology, New Testament studies, philosophy, journalism and more. The conflict turns on faith and unbelief, but believers and unbelievers aren’t cast as natural enemies.
In other words, The Case for Christ is far from the paranoid, agonistic world of the two God’s Not Dead films, for which Pure Flix Entertainment is best known. Producers Elizabeth Hatcher-Travis and Pure Flix CEO Michael Scott collaborated on all three films — and Lee Strobel, the protagonist of The Case for Christ, cameoed as himself in God’s Not Dead 2. Yet The Case for Christ is the furthest thing from a God’s Not Dead 3.
The differences start with the real-life story behind The Case for Christ, Strobel’s conversion story from atheism to Christianity. Where the God’s Not Dead films offer lurid distillations of fundamentalist urban legends, The Case for Christ is about real people — at least, about as much as an average fact-based Hollywood drama. Read more >>