
Why is this so cool? Because, like the now debased and secularized "Halloween," All Souls Day has all sorts of scary cool stuff associated with it as traditionally memorialized, which is all-but-forgotten in these Barney and Friends times. But unlike stories that are merely scary, the story here turns out to be totally true. The Church offers salvation from actual hell and damnation. Let's ponder this exhilarating subject!
I Googled Dies Irae ("Day of Wrath") just to see what would come up, and there was the predictable Wikipedia article. But, Lo! There was an interesting tid-bit!
Those familiar with musical settings of the Requiem Mass -- such as those by Mozart or Verdi -- will be aware of the important place Dies Irae held in the [traditional] liturgy. Nevertheless the "Consilium for the Implementation of the Constitution on the Liturgy" – the Vatican body charged with drafting and implementing reforms to the Catholic Liturgy ordered by the Second Vatican Council – felt the funeral rite was in need of reform and eliminated the sequence from the ordinary rite. The architect of these reforms, Archbishop Annibale Bugnini, explains the mind of the members of the Consilium:Indeed.They got rid of texts that smacked of a negative spirituality inherited from the Middle Ages. Thus they removed such familiar and even beloved texts as the Libera me, Domine, the Dies Irae, and others that overemphasized judgment, fear, and despair. These they replaced with texts urging Christian hope and arguably giving more effective expression to faith in the resurrection.It remained as the sequence for the Requiem Mass in the Roman Missal of 1962 (the last edition before the Second Vatican Council) and so is still heard in churches where the Tridentine Latin liturgy is celebrated.
Now back to the cool stuff -- meaning all the stuff Abp. Bugnini and the Concilium thought we were mature enough to cut out now, since we had come of age and outgrown the need for tales about the terrors of hell and other ghost stories, and could comfortably feed now on a steady diet of tea and crumpets with gentle words from Barney and Friends about love and love and more love since, of course, God is love.
But are we really so "mature" as all that? And are these terrors of yesteryear's liturgy really mere ghost stories for the "immature" in faith? Are the sentiments of the terrible words of the Dies Irae really something that ought to be abhorred as pathologically disturbed, as representing a deformed and negative spirituality? Please. What does the writer of Proverbs call the "beginning of wisdom"? Yes, precisely: the FEAR of the Lord (Prov. 1:7).
Why does the love and mercy and compassion of God no longer mean much of anything these days? The answer is not far to find. I remember seeing spray painted on a railroad trellis above an underpass: "Christ is the answer!" Beneath it was spray painted in another hand: "What is the question?" Indeed. The "Gospel" is no longer "good news" because the context of hell and damnation are missing today. So more hell and damnation, if you please!
Now, is it only my perverted sentiment, or are these musical settings to various pieces from the Dies Irae sequence of the Requiem Mass, not totally cool?
- Mozart's Dies Irae
- Gregorian Chant -- "Dies Irae"
- Mozart (Tom Hulce) dictating Confutatis to Salieri (F. Murray Abraham) in Milos Forman's fictionalized but entertaining account of Mozart's composition of his Requiem as he lay dying
- Mozart's Lacrimosa
Holy Mass follows, at the end of which is the ceremony of Absolution, which is conducted at the casket if the body is present, or at a Catafalque if the body is not present. A Catafalque is a structure resembling a casket that stands in for the deceased person. A black pall (cloth) covers the casket or Catafalque, and six candles surround it. Finally, there is the optional concluding blessing given at the gravesite or other place of final disposition of the body. The ceremonies of the Funeral Mass were described in detail in our September 2, 2007 column, which is available on-line at the web site listed at the bottom of this page. 
Matthew Adlemann, "
While up there, Jason noticed that above and to the side of the main bell, there was a second, smaller bell. Long disused, the bell had no rope or other activating mechanism attached, however as you can see in the adjacent photo, it was mounted on a frame clearly designed to allow it to be rung.




