How trendy experiments in music and liturgy have led to the triumph of bad taste, banality, and a deflated sense of the sacred

Composer and Catholic James MacMillan writing in a recent issue of Standpoint:

In the 1970s many well-intentioned types thought that such 'folk' music and pop culture derivatives would appeal to teenagers and young people and get them more involved in the Church, when the exact opposite has happened. It is now thought that these trendy experiments in music and liturgy have contributed to the increasing risible irrelevance of liberal Christianity, and that liturgy as social engineering has repulsed many. Like most ideas shaped by 1960s Marxist ideology it has proved an utter failure. Its greatest tragedy is the willful disingenuous, de-poeticisation of Catholic worship. The Church has simply aped the secular West's obsession with 'accessibility,' 'inclusiveness,' 'democracy,' and anti-elitism, resulting in the triumph of bad taste, banality and a deflation of the sense of the sacred in the life of the church."

Maybe this is the sort of trendy banality he had in mind -- gone-to-seed, perhaps?




Well, the choreography of the latter is almost good enough to serve for the closing "Christmas-in-Heaven" performance in Monty Python's The Meaning of Life, if that's not being overly generous. The horror of it all is just the philistine assumption that any of this belongs to the worship of Almighty God.